SERIES UNA VOLTA PER TUTTE
THE SPEED OF ORDER.
I BELIEVE IN PHYSICS. I BELIEVE IN MATHEMATICS. I BELIEVE IN THE LAWS THAT HOLD THIS EARTH TOGETHER WITHIN ITS ATMOSPHERE. UNAVOLTAPERTUTTE WAS BORN FROM THIS BELIEF—NOT AS A SPIRITUAL CONVICTION, BUT AS A SCIENTIFIC ONE. I AM INTERESTED IN THE PROOF THAT BEAUTY IS AN EQUATION. THE FIBONACCI SEQUENCE—0, 1, 1, 2, 3, 5, 8, 13…—IS THE BREATH OF THIS WORLD, THE SIMPLE ADDITION FROM WHICH EVERYTHING GROWS: FROM THE DNA SPIRAL TO THE GALAXY, FROM THE TENDRIL OF A PLANT TO THE TRAJECTORY OF A STORM. I READ IT AS THE GRAMMAR OF THE PLANET. EACH NUMBER CALLS FORTH THE NEXT—A SILENT MODEL OF CAUSE AND EFFECT, EXPANSION AND RETURN.
THE ALPHABET OF NATURE. THE FIBONACCI SEQUENCE IS MORE THAN MATHEMATICS—IT IS THE PHYSICS OF RECURRENCE. IT CAN BE FOUND IN THE STRUCTURE OF A PINE CONE, IN THE SPIRALS OF A SUNFLOWER, IN THE GROWTH DIRECTION OF A SEASHELL, IN THE DIVISION OF A CELL, IN THE PATTERN OF GALAXIES IN OUR UNIVERSE. THESE NUMBERS APPEAR WHEN ENERGY ORGANIZES ITSELF—IN EVERY SPIRAL FORMATION THAT NATURE PRODUCES. WHAT AT FIRST GLANCE SEEMS LIKE CHAOS IS PRECISE REASON. I WORK WITH THIS FORMULA NOT AS A SYMBOL, BUT AS A TOOL. I WANT TO SEE WHAT HAPPENS WHEN A PHYSICAL LAW MEETS EMOTION. FOR ME, FIBONACCI DESCRIBES THE INNER LOGIC OF THE COSMOS: GROWTH THAT LIMITS ITSELF, MOVEMENT THAT STRIVES FOR EQUILIBRIUM, ORDER THAT BREATHES.
EARTH PRINTED ON LEATHER. I TRANSLATE THIS LAW INTO MATERIAL. I WORK WITH LEATHER—A SKIN THAT WAS LIFE BEFORE IT BECAME SURFACE. LEATHER CARRIES RESISTANCE, WARMTH, GRAVITY. I PRINT MATHEMATICAL MOVEMENTS ONTO SOMETHING LIVING—A PHYSICAL ENCOUNTER BETWEEN MIND AND BODY, LAW AND INSTINCT. THE SPIRALS, DIAGRAMS, NUMBERS, AND FLOWS EMERGE FROM THE FIBONACCI SEQUENCE ITSELF: THE RATIO THAT, IN NATURE, ALSO ORGANIZES HURRICANES AND ORDERS FLOWER PETALS. I FUSE THE FORMULA WITH COLOR, PRESSURE, AND TEXTURE UNTIL IT LOOKS ORGANIC, ALMOST GEOLOGICAL. THE PROCESS IS BOTH EXPERIMENTAL AND PRECISE: EACH LINE A PROBABILITY, EACH CURVE A PHYSICAL CONSTANT. I UNDERSTAND THE SPIRAL AS MOVEMENT, NOT FORM—A VISUAL SIMULATION OF WIND, GRAVITY, ANGULAR MOMENTUM. IN MY WORK, THE EARTH ROTATES ON ITS OWN SKIN.
ONE EQUATION FOR A PURE HEART. UNAVOLTAPERTUTTE IS NOT A BELIEVER IN MYSTICISM, BUT IN STRUCTURE. I SEE MATHEMATICS AS THE LANGUAGE OF COMPASSION—BECAUSE IT NEVER LIES. FOR ME, PHYSICS IS THE MORAL SYSTEM OF THE WORLD: IT EXPLAINS WHAT IS, WITHOUT JUSTIFYING ITSELF. THE UNIVERSE IS NOT CHAOTIC; IT IS PRECISE. AND EVEN A HURRICANE THAT DESTROYS CITIES FOLLOWS A FORMULA THAT PROVES THIS EARTH KNOWS WHAT IT IS DOING. THIS SERIES IS MY HOMAGE TO THIS INTELLIGENCE. ONCE FOR ALL — UNA VOLTA PER TUTTE.
THE ALPHABET OF NATURE. THE FIBONACCI SEQUENCE IS MORE THAN MATHEMATICS—IT IS THE PHYSICS OF RECURRENCE. IT CAN BE FOUND IN THE STRUCTURE OF A PINE CONE, IN THE SPIRALS OF A SUNFLOWER, IN THE GROWTH DIRECTION OF A SEASHELL, IN THE DIVISION OF A CELL, IN THE PATTERN OF GALAXIES IN OUR UNIVERSE. THESE NUMBERS APPEAR WHEN ENERGY ORGANIZES ITSELF—IN EVERY SPIRAL FORMATION THAT NATURE PRODUCES. WHAT AT FIRST GLANCE SEEMS LIKE CHAOS IS PRECISE REASON. I WORK WITH THIS FORMULA NOT AS A SYMBOL, BUT AS A TOOL. I WANT TO SEE WHAT HAPPENS WHEN A PHYSICAL LAW MEETS EMOTION. FOR ME, FIBONACCI DESCRIBES THE INNER LOGIC OF THE COSMOS: GROWTH THAT LIMITS ITSELF, MOVEMENT THAT STRIVES FOR EQUILIBRIUM, ORDER THAT BREATHES.
EARTH PRINTED ON LEATHER. I TRANSLATE THIS LAW INTO MATERIAL. I WORK WITH LEATHER—A SKIN THAT WAS LIFE BEFORE IT BECAME SURFACE. LEATHER CARRIES RESISTANCE, WARMTH, GRAVITY. I PRINT MATHEMATICAL MOVEMENTS ONTO SOMETHING LIVING—A PHYSICAL ENCOUNTER BETWEEN MIND AND BODY, LAW AND INSTINCT. THE SPIRALS, DIAGRAMS, NUMBERS, AND FLOWS EMERGE FROM THE FIBONACCI SEQUENCE ITSELF: THE RATIO THAT, IN NATURE, ALSO ORGANIZES HURRICANES AND ORDERS FLOWER PETALS. I FUSE THE FORMULA WITH COLOR, PRESSURE, AND TEXTURE UNTIL IT LOOKS ORGANIC, ALMOST GEOLOGICAL. THE PROCESS IS BOTH EXPERIMENTAL AND PRECISE: EACH LINE A PROBABILITY, EACH CURVE A PHYSICAL CONSTANT. I UNDERSTAND THE SPIRAL AS MOVEMENT, NOT FORM—A VISUAL SIMULATION OF WIND, GRAVITY, ANGULAR MOMENTUM. IN MY WORK, THE EARTH ROTATES ON ITS OWN SKIN.
ONE EQUATION FOR A PURE HEART. UNAVOLTAPERTUTTE IS NOT A BELIEVER IN MYSTICISM, BUT IN STRUCTURE. I SEE MATHEMATICS AS THE LANGUAGE OF COMPASSION—BECAUSE IT NEVER LIES. FOR ME, PHYSICS IS THE MORAL SYSTEM OF THE WORLD: IT EXPLAINS WHAT IS, WITHOUT JUSTIFYING ITSELF. THE UNIVERSE IS NOT CHAOTIC; IT IS PRECISE. AND EVEN A HURRICANE THAT DESTROYS CITIES FOLLOWS A FORMULA THAT PROVES THIS EARTH KNOWS WHAT IT IS DOING. THIS SERIES IS MY HOMAGE TO THIS INTELLIGENCE. ONCE FOR ALL — UNA VOLTA PER TUTTE.
TECHNICAL SPECIFICATION
STATUS: AVAILABLE ASSET
EDITION: DUAL-SCALE UNIQUE (1 OF 2)
AVAILABILITY: 1/2 IMMEDIATE SHIPMENT | 2/2 ON COMMISSION (7 BUSINESS DAYS)
TYPE: UNIQUE WORK | GENUINE LEATHER ON CANVAS | 3.4 CM - 1.34 INCH SHADOW GAP FRAME
SCALE OPTIONS
STUDIO SCALE: 100 x 100 x 3.4 CM | 39.37 x 39.37 x 1.34 INCH | PHYSICAL ASSET
ARCHITECTURAL SCALE: CUSTOM DIMENSIONS | ON COMMISSION
WEIGHT: APPROX. 1.8 KG
MEDIUM: HIGH-DENSITY PIGMENT PRINT ON GENUINE LEATHER
FRAME-SETTING: PROFESSIONAL SHADOW GAP FRAME | RAL 9016 TRAFFIC WHITE MATT
FRAME SPECIFICATIONS: PROFILE WIDTH 4.05 CM – 1.59 INCH | VISIBLE EDGE 1.5 CM – 0.59 INCH
FINISH: MATTE LEATHER PROTECTION FINISH
MOUNTING: INTEGRATED HEAVY-DUTY REAR SUSPENSION FOR FLUSH ARCHITECTURAL MOUNTING
AUTHENTICITY: SIGNED ON REVERSE. INCLUDES PHYSICAL CERTIFICATE OF AUTHENTICITY (COA)
SHIPPING: FULLY INSURED EXPRESS SHIPPING WORLDWIDE.
PACKAGING: CUSTOM WOOD CRATING FOR MAXIMUM PROTECTION OF THE SHADOW GAP FRAME
LEAD TIME: 1/2 IMMEDIATE | 2/2 WITHIN 7 BUSINESS DAYS (UP TO 150 CM)
